“Dynamic Maximum Tension, his most expansive and ambitious statement with the band, practically explodes with big ideas […] a double album that reinvigorates the big-band tradition with a modern metabolism.”
“One of the era’s top big-band composers […] this, his fourth album, is his best to date: a work of stunning eclecticism and complexity, but thoroughly accessible, elastic with swing.”
“Darcy James Argue’s Secret Society is an 18-piece big band that stokes suspense with dissonance and pinpoint timing.”
“Listening to Darcy James Argue’s Secret Society, I’m impressed by the music’s clarity, textural contrast, and shiny surfaces, his ingenuity and lively rhythms, impeccable ensemble playing, and fine soloists.”
“Argue’s music shifts and whirls like an entire galaxy in orbit around itself, and it’s breathtaking to listen to.”
“Like Buckminster Fuller’s geometric images, Argue’s streamlined use of space and motion (spinning horns, percussive thrust) incites the imagination.”
“There’s a legitimate argument to be made that no musician has had a greater influence on modern big band jazz than Darcy James Argue.”
“Darcy James Argue is one of the great living composers for chamber orchestra.”
“Argue represents the very peak of innovative current big band possibilities…. This is seriously terrific jazz… an extraordinary album: one of the best of the year.”
★★★★★
Keith Black | Winnipeg Free Press
“Wildly inventive… Argue brings together a bevy of adept instrumentalists and improvisers to bring his rhythmically kinetic, harmonically vibrant works to life.”
★★★★★
“Each track on this new double disc from Darcy James Argue’s Secret Society stands as a marvel of musical architecture, a self-contained miniverse populated by conspiring ensemble players and ace soloists.”
★★★★½
Ed Enwright | DownBeat
“This is unmistakably Argue, lush but not saccharine, complex but not pretentious, expansiveness and succinctness held in ideal balance.”
★★★★½
“A heady elixir of the past, the present and an imagined future, it maintains a right to surprise. And does.”
★★★★
“From the tensile strength of the first chord of ‘Dymaxion’ to the dark growling power of ‘Ferromagnetic’ and the final word of ‘Mae West,‘ Dynamic Maximum Tension is a delight.”
★★★★
“Superlative… brimming with a sonic invention that is redolent of Lalo Schifrin’s funky movie scores.”
★★★★
“A splendid example of Argue's creative abilities, Dynamic Maximum Tension has the merit of bringing together the different facets and expressive richness of his latest compositions.”
★★★★
“A rich mix of dark sax improv, punchy soaring-brass riffing and seductive Gil Evans-worthy high-reeds dreamscapes.”
“Remarkable in its ambition, scope and sheer length, this is Argue’s crowning achievement to date.”
“Dynamic Maximum Tension was worth the wait. Despite its heady volume of historical information, it’s kinetic, gripping and modern — with a bounty of harmonic richness to boot.”
“Its dynamic range and flavours are wonderfully interspersed, whilst Cécile McLorin Salvant’s appearance on closer ‘Mae West: Advice’ is a cheeky moment of pure bliss.”
“Outstanding album of completely modern music whose precision — whether of conception or execution — never excludes the human component.”